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The juggler of Notre Dame and the medievalizing of modernity.
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ISBN: 1783745223 1783745231 1783745215 Year: 2018 Publisher: Open Book Publishers

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This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 3: The American Middle Ages hinges upon two figures influenced by the juggler: Henry Adams, scion of Presidents and distinguished cultural historian whose works contributed to the rise of medievalism in America during the Gilded Age, and Ralph Adams Cram, the architect whose vision of Gothic accounts directly or indirectly for the campuses of West Point, Princeton, Yale, Chicago, Notre Dame, and many other universities across America. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.


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Ghost storeys : alph adams cram, modern gothic media, and deconstructive microhistory at a canadian church
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ISBN: 0773549900 9780773549906 9780773549913 0773549919 9780773549890 0773549897 9780773549883 0773549889 Year: 2017 Publisher: Montreal, [Quebec] : McGill-Queen's University Press,

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"Do modern Gothic buildings and books have more in common than the "Gothic" adjective? Scholars have limited this question to British author/architects of the eighteenth century. However, Ralph Adams Cram (1863--1942) was America's most prolific and vocal advocate of Gothic Revival architecture, and he published a book of Gothic ghost stories in 1895. Ghost Storeys consequently offers the first comprehensive study of Cram's interdisciplinary Gothic aesthetics, deconstructing the boundaries of architecture and literature. For Cram, ghosts are manifestations of social sickness, and the unusual commission of a Canadian church allowed him to exercise his pessimistic revival of Gothic architecture in an ailing modern world. The lead patron, Edward Walker of eponymous Walkerville, Ontario, commissioned the church for his company town because he was secretly dying of syphilis, and Cram put Walker's regeneration in the hands of a Grail knight who might never come. Walkerville's Anglican architecture is haunted by a future that Cram himself could not provide, and through the intricate intersections of Gothic aesthetics, architectural ethics, and company town construction in Edwardian Canada, Cameron Macdonell opens new perspectives on the modern failure to resurrect the past. What came back from the Gothic grave was a tormented revenant in need of miraculous intervention. Painstakingly researched and illustrated, Ghost Storeys is a microhistory that redefines the allegorical relationship between a marginalized Canadian church and the Gothic Revival as a global interdisciplinary phenomenon."--

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